DEAD STARSby Paz Marquez Benitez

Photo courtesy of NASA

THROUGH the open window the air-steeped outdoors passed into his room, quietly enveloping him, stealing into his very thought. Esperanza, Julia, the sorry mess he had made of life, the years to come even now beginning to weigh down, to crush--they lost concreteness, diffused into formless melancholy. The tranquil murmur of conversation issued from the brick-tiled azotea where Don Julian and Carmen were busy puttering away among the rose pots.

"Papa, and when will the 'long table' be set?"

"I don't know yet. Alfredo is not very specific, but I understand Esperanza wants it to be next month."

Carmen sighed impatiently. "Why is he not a bit more decided, I wonder. He is over thirty, is he not? And still a bachelor! Esperanza must be tired waiting."

"She does not seem to be in much of a hurry either," Don Julian nasally commented, while his rose scissors busily snipped away.

"How can a woman be in a hurry when the man does not hurry her?" Carmen returned, pinching off a worm with a careful, somewhat absent air. "Papa, do you remember how much in love he was?"

"In love? With whom?"

"With Esperanza, of course. He has not had another love affair that I know of," she said with good-natured contempt. "What I mean is that at the beginning he was enthusiastic--flowers, serenades, notes, and things like that--"

Alfredo remembered that period with a wonder not unmixed with shame. That was less than four years ago. He could not understand those months of a great hunger that was not of the body nor yet of the mind, a craving that had seized on him one quiet night when the moon was abroad and under the dappled shadow of the trees in the plaza, man wooed maid. Was he being cheated by life? Love--he seemed to have missed it. Or was the love that others told about a mere fabrication of perfervid imagination, an exaggeration of the commonplace, a glorification of insipid monotonies such as made up his love life? Was love a combination of circumstances, or sheer native capacity of soul? In those days love was, for him, still the eternal puzzle; for love, as he knew it, was a stranger to love as he divined it might be.

Sitting quietly in his room now, he could almost revive the restlessness of those days, the feeling of tumultuous haste, such as he knew so well in his boyhood when something beautiful was going on somewhere and he was trying to get there in time to see. "Hurry, hurry, or you will miss it," someone had seemed to urge in his ears. So he had avidly seized on the shadow of Love and deluded himself for a long while in the way of humanity from time immemorial. In the meantime, he became very much engaged to Esperanza.

Why would men so mismanage their lives? Greed, he thought, was what ruined so many. Greed--the desire to crowd into a moment all the enjoyment it will hold, to squeeze from the hour all the emotion it will yield. Men commit themselves when but half-meaning to do so, sacrificing possible future fullness of ecstasy to the craving for immediate excitement. Greed--mortgaging the future--forcing the hand of Time, or of Fate.

"What do you think happened?" asked Carmen, pursuing her thought.

"I supposed long-engaged people are like that; warm now, cool tomorrow. I think they are oftener cool than warm. The very fact that an engagement has been allowed to prolong itself argues a certain placidity of temperament--or of affection--on the part of either, or both." Don Julian loved to philosophize. He was talking now with an evident relish in words, his resonant, very nasal voice toned down to monologue pitch. "That phase you were speaking of is natural enough for a beginning. Besides, that, as I see it, was Alfredo's last race with escaping youth--"

Carmen laughed aloud at the thought of her brother's perfect physical repose--almost indolence--disturbed in the role suggested by her father's figurative language.

"A last spurt of hot blood," finished the old man.

Few certainly would credit Alfredo Salazar with hot blood. Even his friends had amusedly diagnosed his blood as cool and thin, citing incontrovertible evidence. Tall and slender, he moved with an indolent ease that verged on grace. Under straight recalcitrant hair, a thin face with a satisfying breadth of forehead, slow, dreamer's eyes, and astonishing freshness of lips--indeed Alfredo Salazar's appearance betokened little of exuberant masculinity; rather a poet with wayward humor, a fastidious artist with keen, clear brain.

He rose and quietly went out of the house. He lingered a moment on the stone steps; then went down the path shaded by immature acacias, through the little tarred gate which he left swinging back and forth, now opening, now closing, on the gravel road bordered along the farther side by madre cacao hedge in tardy lavender bloom.

The gravel road narrowed as it slanted up to the house on the hill, whose wide, open porches he could glimpse through the heat-shrivelled tamarinds in the Martinez yard.

Six weeks ago that house meant nothing to him save that it was the Martinez house, rented and occupied by Judge del Valle and his family. Six weeks ago Julia Salas meant nothing to him; he did not even know her name; but now--

One evening he had gone "neighboring" with Don Julian; a rare enough occurrence, since he made it a point to avoid all appearance of currying favor with the Judge. This particular evening however, he had allowed himself to be persuaded. "A little mental relaxation now and then is beneficial," the old man had said. "Besides, a judge's good will, you know;" the rest of the thought--"is worth a rising young lawyer's trouble"--Don Julian conveyed through a shrug and a smile that derided his own worldly wisdom.

A young woman had met them at the door. It was evident from the excitement of the Judge's children that she was a recent and very welcome arrival. In the characteristic Filipino way formal introductions had been omitted--the judge limiting himself to a casual "Ah, ya se conocen?"--with the consequence that Alfredo called her Miss del Valle throughout the evening.

He was puzzled that she should smile with evident delight every time he addressed her thus. Later Don Julian informed him that she was not the Judge's sister, as he had supposed, but his sister-in-law, and that her name was Julia Salas. A very dignified rather austere name, he thought. Still, the young lady should have corrected him. As it was, he was greatly embarrassed, and felt that he should explain.

To his apology, she replied, "That is nothing, Each time I was about to correct you, but I remembered a similar experience I had once before."

"Oh," he drawled out, vastly relieved.

"A man named Manalang--I kept calling him Manalo. After the tenth time or so, the young man rose from his seat and said suddenly, 'Pardon me, but my name is Manalang, Manalang.' You know, I never forgave him!"

He laughed with her.

"The best thing to do under the circumstances, I have found out," she pursued, "is to pretend not to hear, and to let the other person find out his mistake without help."

"As you did this time. Still, you looked amused every time I--"

"I was thinking of Mr. Manalang."

Don Julian and his uncommunicative friend, the Judge, were absorbed in a game of chess. The young man had tired of playing appreciative spectator and desultory conversationalist, so he and Julia Salas had gone off to chat in the vine-covered porch. The lone piano in the neighborhood alternately tinkled and banged away as the player's moods altered. He listened, and wondered irrelevantly if Miss Salas could sing; she had such a charming speaking voice.

He was mildly surprised to note from her appearance that she was unmistakably a sister of the Judge's wife, although Doña Adela was of a different type altogether. She was small and plump, with wide brown eyes, clearly defined eyebrows, and delicately modeled hips--a pretty woman with the complexion of a baby and the expression of a likable cow. Julia was taller, not so obviously pretty. She had the same eyebrows and lips, but she was much darker, of a smooth rich brown with underlying tones of crimson which heightened the impression she gave of abounding vitality.

On Sunday mornings after mass, father and son would go crunching up the gravel road to the house on the hill. The Judge's wife invariably offered them beer, which Don Julian enjoyed and Alfredo did not. After a half hour or so, the chessboard would be brought out; then Alfredo and Julia Salas would go out to the porch to chat. She sat in the low hammock and he in a rocking chair and the hours--warm, quiet March hours--sped by. He enjoyed talking with her and it was evident that she liked his company; yet what feeling there was between them was so undisturbed that it seemed a matter of course. Only when Esperanza chanced to ask him indirectly about those visits did some uneasiness creep into his thoughts of the girl next door.

Esperanza had wanted to know if he went straight home after mass. Alfredo suddenly realized that for several Sundays now he had not waited for Esperanza to come out of the church as he had been wont to do. He had been eager to go "neighboring."

He answered that he went home to work. And, because he was not habitually untruthful, added, "Sometimes I go with Papa to Judge del Valle's."

She dropped the topic. Esperanza was not prone to indulge in unprovoked jealousies. She was a believer in the regenerative virtue of institutions, in their power to regulate feeling as well as conduct. If a man were married, why, of course, he loved his wife; if he were engaged, he could not possibly love another woman.

That half-lie told him what he had not admitted openly to himself, that he was giving Julia Salas something which he was not free to give. He realized that; yet something that would not be denied beckoned imperiously, and he followed on.

It was so easy to forget up there, away from the prying eyes of the world, so easy and so poignantly sweet. The beloved woman, he standing close to her, the shadows around, enfolding.

"Up here I find--something--"

He and Julia Salas stood looking out into the she quiet night. Sensing unwanted intensity, laughed, woman-like, asking, "Amusement?"

"No; youth--its spirit--"

"Are you so old?"

"And heart's desire."

Was he becoming a poet, or is there a poet lurking in the heart of every man?

"Down there," he had continued, his voice somewhat indistinct, "the road is too broad, too trodden by feet, too barren of mystery."

"Down there" beyond the ancient tamarinds lay the road, upturned to the stars. In the darkness the fireflies glimmered, while an errant breeze strayed in from somewhere, bringing elusive, faraway sounds as of voices in a dream.

"Mystery--" she answered lightly, "that is so brief--"

"Not in some," quickly. "Not in you."

"You have known me a few weeks; so the mystery."

"I could study you all my life and still not find it."

"So long?"

"I should like to."

Those six weeks were now so swift--seeming in the memory, yet had they been so deep in the living, so charged with compelling power and sweetness. Because neither the past nor the future had relevance or meaning, he lived only the present, day by day, lived it intensely, with such a willful shutting out of fact as astounded him in his calmer moments.

Just before Holy Week, Don Julian invited the judge and his family to spend Sunday afternoon at Tanda where he had a coconut plantation and a house on the beach. Carmen also came with her four energetic children. She and Doña Adela spent most of the time indoors directing the preparation of the merienda and discussing the likeable absurdities of their husbands--how Carmen's Vicente was so absorbed in his farms that he would not even take time off to accompany her on this visit to her father; how Doña Adela's Dionisio was the most absentminded of men, sometimes going out without his collar, or with unmatched socks.

After the merienda, Don Julian sauntered off with the judge to show him what a thriving young coconut looked like--"plenty of leaves, close set, rich green"--while the children, convoyed by Julia Salas, found unending entertainment in the rippling sand left by the ebbing tide. They were far down, walking at the edge of the water, indistinctly outlined against the gray of the out-curving beach.

Alfredo left his perch on the bamboo ladder of the house and followed. Here were her footsteps, narrow, arched. He laughed at himself for his black canvas footwear which he removed forthwith and tossed high up on dry sand.

When he came up, she flushed, then smiled with frank pleasure.

"I hope you are enjoying this," he said with a questioning inflection.

"Very much. It looks like home to me, except that we do not have such a lovely beach."

There was a breeze from the water. It blew the hair away from her forehead, and whipped the tucked-up skirt around her straight, slender figure. In the picture was something of eager freedom as of wings poised in flight. The girl had grace, distinction. Her face was not notably pretty; yet she had a tantalizing charm, all the more compelling because it was an inner quality, an achievement of the spirit. The lure was there, of naturalness, of an alert vitality of mind and body, of a thoughtful, sunny temper, and of a piquant perverseness which is sauce to charm.

"The afternoon has seemed very short, hasn't it?" Then, "This, I think, is the last time--we can visit."

"The last? Why?"

"Oh, you will be too busy perhaps."

He noted an evasive quality in the answer.

"Do I seem especially industrious to you?"

"If you are, you never look it."

"Not perspiring or breathless, as a busy man ought to be."

"But--"

"Always unhurried, too unhurried, and calm." She smiled to herself.

"I wish that were true," he said after a meditative pause.

She waited.

"A man is happier if he is, as you say, calm and placid."

"Like a carabao in a mud pool," she retorted perversely

"Who? I?"

"Oh, no!"

"You said I am calm and placid."

"That is what I think."

"I used to think so too. Shows how little we know ourselves."

It was strange to him that he could be wooing thus: with tone and look and covert phrase.

"I should like to see your home town."

"There is nothing to see--little crooked streets, bunut roofs with ferns growing on them, and sometimes squashes."

That was the background. It made her seem less detached, less unrelated, yet withal more distant, as if that background claimed her and excluded him.

"Nothing? There is you."

"Oh, me? But I am here."

"I will not go, of course, until you are there."

"Will you come? You will find it dull. There isn't even one American there!"

"Well--Americans are rather essential to my entertainment."

She laughed.

"We live on Calle Luz, a little street with trees."

"Could I find that?"

"If you don't ask for Miss del Valle," she smiled teasingly.

"I'll inquire about--"

"What?"

"The house of the prettiest girl in the town."

"There is where you will lose your way." Then she turned serious. "Now, that is not quite sincere."

"It is," he averred slowly, but emphatically.

"I thought you, at least, would not say such things."

"Pretty--pretty--a foolish word! But there is none other more handy I did not mean that quite--"

"Are you withdrawing the compliment?"

"Re-enforcing it, maybe. Something is pretty when it pleases the eye--it is more than that when--"

"If it saddens?" she interrupted hastily.

"Exactly."

"It must be ugly."

"Always?"

Toward the west, the sunlight lay on the dimming waters in a broad, glinting streamer of crimsoned gold.

"No, of course you are right."

"Why did you say this is the last time?" he asked quietly as they turned back.

"I am going home."

The end of an impossible dream!

"When?" after a long silence.

"Tomorrow. I received a letter from Father and Mother yesterday. They want me to spend Holy Week at home."

She seemed to be waiting for him to speak. "That is why I said this is the last time."

"Can't I come to say good-bye?"

"Oh, you don't need to!"

"No, but I want to."

"There is no time."

The golden streamer was withdrawing, shortening, until it looked no more than a pool far away at the rim of the world. Stillness, a vibrant quiet that affects the senses as does solemn harmony; a peace that is not contentment but a cessation of tumult when all violence of feeling tones down to the wistful serenity of regret. She turned and looked into his face, in her dark eyes a ghost of sunset sadness.

"Home seems so far from here. This is almost like another life."

"I know. This is Elsewhere, and yet strange enough, I cannot get rid of the old things."

"Old things?"

"Oh, old things, mistakes, encumbrances, old baggage." He said it lightly, unwilling to mar the hour. He walked close, his hand sometimes touching hers for one whirling second.

Don Julian's nasal summons came to them on the wind.

Alfredo gripped the soft hand so near his own. At his touch, the girl turned her face away, but he heard her voice say very low, "Good-bye."

II

ALFREDO Salazar turned to the right where, farther on, the road broadened and entered the heart of the town--heart of Chinese stores sheltered under low-hung roofs, of indolent drug stores and tailor shops, of dingy shoe-repairing establishments, and a cluttered goldsmith's cubbyhole where a consumptive bent over a magnifying lens; heart of old brick-roofed houses with quaint hand-and-ball knockers on the door; heart of grass-grown plaza reposeful with trees, of ancient church and convento,now circled by swallows gliding in flight as smooth and soft as the afternoon itself. Into the quickly deepening twilight, the voice of the biggest of the church bells kept ringing its insistent summons. Flocking came the devout with their long wax candles, young women in vivid apparel (for this was Holy Thursday and the Lord was still alive), older women in sober black skirts. Came too the young men in droves, elbowing each other under the talisay tree near the church door. The gaily decked rice-paper lanterns were again on display while from the windows of the older houses hung colored glass globes, heirlooms from a day when grasspith wicks floating in coconut oil were the chief lighting device.

Soon a double row of lights emerged from the church and uncoiled down the length of the street like a huge jewelled band studded with glittering clusters where the saints' platforms were. Above the measured music rose the untutored voices of the choir, steeped in incense and the acrid fumes of burning wax.

The sight of Esperanza and her mother sedately pacing behind Our Lady of Sorrows suddenly destroyed the illusion of continuity and broke up those lines of light into component individuals. Esperanza stiffened self-consciously, tried to look unaware, and could not.

The line moved on.

Suddenly, Alfredo's slow blood began to beat violently, irregularly. A girl was coming down the line--a girl that was striking, and vividly alive, the woman that could cause violent commotion in his heart, yet had no place in the completed ordering of his life.

Her glance of abstracted devotion fell on him and came to a brief stop.

The line kept moving on, wending its circuitous route away from the church and then back again, where, according to the old proverb, all processions end.

At last Our Lady of Sorrows entered the church, and with her the priest and the choir, whose voices now echoed from the arched ceiling. The bells rang the close of the procession.

A round orange moon, "huge as a winnowing basket," rose lazily into a clear sky, whitening the iron roofs and dimming the lanterns at the windows. Along the still densely shadowed streets the young women with their rear guard of males loitered and, maybe, took the longest way home.

Toward the end of the row of Chinese stores, he caught up with Julia Salas. The crowd had dispersed into the side streets, leaving Calle Real to those who lived farther out. It was past eight, and Esperanza would be expecting him in a little while: yet the thought did not hurry him as he said "Good evening" and fell into step with the girl.

"I had been thinking all this time that you had gone," he said in a voice that was both excited and troubled.

"No, my sister asked me to stay until they are ready to go."

"Oh, is the Judge going?"

"Yes."

The provincial docket had been cleared, and Judge del Valle had been assigned elsewhere. As lawyer--and as lover--Alfredo had found that out long before.

"Mr. Salazar," she broke into his silence, "I wish to congratulate you."

Her tone told him that she had learned, at last. That was inevitable.

"For what?"

"For your approaching wedding."

Some explanation was due her, surely. Yet what could he say that would not offend?

"I should have offered congratulations long before, but you know mere visitors are slow about getting the news," she continued.

He listened not so much to what she said as to the nuances in her voice. He heard nothing to enlighten him, except that she had reverted to the formal tones of early acquaintance. No revelation there; simply the old voice--cool, almost detached from personality, flexible and vibrant, suggesting potentialities of song.

"Are weddings interesting to you?" he finally brought out quietly

"When they are of friends, yes."

"Would you come if I asked you?"

"When is it going to be?"

"May," he replied briefly, after a long pause.

"May is the month of happiness they say," she said, with what seemed to him a shade of irony.

"They say," slowly, indifferently. "Would you come?"

"Why not?"

"No reason. I am just asking. Then you will?"

"If you will ask me," she said with disdain.

"Then I ask you."

"Then I will be there."

The gravel road lay before them; at the road's end the lighted windows of the house on the hill. There swept over the spirit of Alfredo Salazar a longing so keen that it was pain, a wish that, that house were his, that all the bewilderments of the present were not, and that this woman by his side were his long wedded wife, returning with him to the peace of home.

"Julita," he said in his slow, thoughtful manner, "did you ever have to choose between something you wanted to do and something you had to do?"

"No!"

"I thought maybe you had had that experience; then you could understand a man who was in such a situation."

"You are fortunate," he pursued when she did not answer.

"Is--is this man sure of what he should do?"

"I don't know, Julita. Perhaps not. But there is a point where a thing escapes us and rushes downward of its own weight, dragging us along. Then it is foolish to ask whether one will or will not, because it no longer depends on him."

"But then why--why--" her muffled voice came. "Oh, what do I know? That is his problem after all."

"Doesn't it--interest you?"

"Why must it? I--I have to say good-bye, Mr. Salazar; we are at the house."

Without lifting her eyes she quickly turned and walked away.

Had the final word been said? He wondered. It had. Yet a feeble flutter of hope trembled in his mind though set against that hope were three years of engagement, a very near wedding, perfect understanding between the parents, his own conscience, and Esperanza herself--Esperanza waiting, Esperanza no longer young, Esperanza the efficient, the literal-minded, the intensely acquisitive.

He looked attentively at her where she sat on the sofa, appraisingly, and with a kind of aversion which he tried to control.

She was one of those fortunate women who have the gift of uniformly acceptable appearance. She never surprised one with unexpected homeliness nor with startling reserves of beauty. At home, in church, on the street, she was always herself, a woman past first bloom, light and clear of complexion, spare of arms and of breast, with a slight convexity to thin throat; a woman dressed with self-conscious care, even elegance; a woman distinctly not average.

She was pursuing an indignant relation about something or other, something about Calixta, their note-carrier, Alfredo perceived, so he merely half-listened, understanding imperfectly. At a pause he drawled out to fill in the gap: "Well, what of it?" The remark sounded ruder than he had intended.

"She is not married to him," Esperanza insisted in her thin, nervously pitched voice. "Besides, she should have thought of us. Nanay practically brought her up. We never thought she would turn out bad."

What had Calixta done? Homely, middle-aged Calixta?

"You are very positive about her badness," he commented dryly. Esperanza was always positive.

"But do you approve?"

"Of what?"

"What she did."

"No," indifferently.

"Well?"

He was suddenly impelled by a desire to disturb the unvexed orthodoxy of her mind. "All I say is that it is not necessarily wicked."

"Why shouldn't it be? You talked like an--immoral man. I did not know that your ideas were like that."

"My ideas?" he retorted, goaded by a deep, accumulated exasperation. "The only test I wish to apply to conduct is the test of fairness. Am I injuring anybody? No? Then I am justified in my conscience. I am right. Living with a man to whom she is not married--is that it? It may be wrong, and again it may not."

"She has injured us. She was ungrateful." Her voice was tight with resentment.

"The trouble with you, Esperanza, is that you are--" he stopped, appalled by the passion in his voice.

"Why do you get angry? I do not understand you at all! I think I know why you have been indifferent to me lately. I am not blind, or deaf; I see and hear what perhaps some are trying to keep from me." The blood surged into his very eyes and his hearing sharpened to points of acute pain. What would she say next?

"Why don't you speak out frankly before it is too late? You need not think of me and of what people will say." Her voice trembled.

Alfredo was suffering as he could not remember ever having suffered before. What people will say--what will they not say? What don't they say when long engagements are broken almost on the eve of the wedding?

"Yes," he said hesitatingly, diffidently, as if merely thinking aloud, "one tries to be fair--according to his lights--but it is hard. One would like to be fair to one's self first. But that is too easy, one does not dare--"

"What do you mean?" she asked with repressed violence. "Whatever my shortcomings, and no doubt they are many in your eyes, I have never gone out of my way, of my place, to find a man."

Did she mean by this irrelevant remark that he it was who had sought her; or was that a covert attack on Julia Salas?

"Esperanza--" a desperate plea lay in his stumbling words. "If you--suppose I--" Yet how could a mere man word such a plea?

"If you mean you want to take back your word, if you are tired of--why don't you tell me you are tired of me?" she burst out in a storm of weeping that left him completely shamed and unnerved.

The last word had been said.

III

AS Alfredo Salazar leaned against the boat rail to watch the evening settling over the lake, he wondered if Esperanza would attribute any significance to this trip of his. He was supposed to be in Sta. Cruz whither the case of the People of the Philippine Islands vs. Belina et al had kept him, and there he would have been if Brigida Samuy had not been so important to the defense. He had to find that elusive old woman. That the search was leading him to that particular lake town which was Julia Salas' home should not disturb him unduly Yet he was disturbed to a degree utterly out of proportion to the prosaicalness of his errand. That inner tumult was no surprise to him; in the last eight years he had become used to such occasional storms. He had long realized that he could not forget Julia Salas. Still, he had tried to be content and not to remember too much. The climber of mountains who has known the back-break, the lonesomeness, and the chill, finds a certain restfulness in level paths made easy to his feet. He looks up sometimes from the valley where settles the dusk of evening, but he knows he must not heed the radiant beckoning. Maybe, in time, he would cease even to look up.

He was not unhappy in his marriage. He felt no rebellion: only the calm of capitulation to what he recognized as irresistible forces of circumstance and of character. His life had simply ordered itself; no more struggles, no more stirring up of emotions that got a man nowhere. From his capacity of complete detachment he derived a strange solace. The essential himself, the himself that had its being in the core of his thought, would, he reflected, always be free and alone. When claims encroached too insistently, as sometimes they did, he retreated into the inner fastness, and from that vantage he saw things and people around him as remote and alien, as incidents that did not matter. At such times did Esperanza feel baffled and helpless; he was gentle, even tender, but immeasurably far away, beyond her reach.

Lights were springing into life on the shore. That was the town, a little up-tilted town nestling in the dark greenness of the groves. A snubcrested belfry stood beside the ancient church. On the outskirts the evening smudges glowed red through the sinuous mists of smoke that rose and lost themselves in the purple shadows of the hills. There was a young moon which grew slowly luminous as the coral tints in the sky yielded to the darker blues of evening.

The vessel approached the landing quietly, trailing a wake of long golden ripples on the dark water. Peculiar hill inflections came to his ears from the crowd assembled to meet the boat--slow, singing cadences, characteristic of the Laguna lake-shore speech. From where he stood he could not distinguish faces, so he had no way of knowing whether the presidentewas there to meet him or not. Just then a voice shouted.

"Is the abogado there? Abogado!"

"What abogado?" someone irately asked.

That must be the presidente, he thought, and went down to the landing.

It was a policeman, a tall pock-marked individual. The presidente had left with Brigida Samuy--Tandang "Binday"--that noon for Santa Cruz. Señor Salazar's second letter had arrived late, but the wife had read it and said, "Go and meet the abogado and invite him to our house."

Alfredo Salazar courteously declined the invitation. He would sleep on board since the boat would leave at four the next morning anyway. So thepresidente had received his first letter? Alfredo did not know because that official had not sent an answer. "Yes," the policeman replied, "but he could not write because we heard that Tandang Binday was in San Antonio so we went there to find her."

San Antonio was up in the hills! Good man, the presidente! He, Alfredo, must do something for him. It was not every day that one met with such willingness to help.

Eight o'clock, lugubriously tolled from the bell tower, found the boat settled into a somnolent quiet. A cot had been brought out and spread for him, but it was too bare to be inviting at that hour. It was too early to sleep: he would walk around the town. His heart beat faster as he picked his way to shore over the rafts made fast to sundry piles driven into the water.

How peaceful the town was! Here and there a little tienda was still open, its dim light issuing forlornly through the single window which served as counter. An occasional couple sauntered by, the women's chinelasmaking scraping sounds. From a distance came the shrill voices of children playing games on the street--tubigan perhaps, or "hawk-and-chicken." The thought of Julia Salas in that quiet place filled him with a pitying sadness.

How would life seem now if he had married Julia Salas? Had he meant anything to her? That unforgettable red-and-gold afternoon in early April haunted him with a sense of incompleteness as restless as other unlaid ghosts. She had not married--why? Faithfulness, he reflected, was not a conscious effort at regretful memory. It was something unvolitional, maybe a recurrent awareness of irreplaceability. Irrelevant trifles--a cool wind on his forehead, far-away sounds as of voices in a dream--at times moved him to an oddly irresistible impulse to listen as to an insistent, unfinished prayer.

A few inquiries led him to a certain little tree-ceilinged street where the young moon wove indistinct filigrees of fight and shadow. In the gardens the cotton tree threw its angular shadow athwart the low stone wall; and in the cool, stilly midnight the cock's first call rose in tall, soaring jets of sound. Calle Luz.

Somehow or other, he had known that he would find her house because she would surely be sitting at the window. Where else, before bedtime on a moonlit night? The house was low and the light in the sala behind her threw her head into unmistakable relief. He sensed rather than saw her start of vivid surprise.

"Good evening," he said, raising his hat.

"Good evening. Oh! Are you in town?"

"On some little business," he answered with a feeling of painful constraint.

"Won't you come up?"

He considered. His vague plans had not included this. But Julia Salas had left the window, calling to her mother as she did so. After a while, someone came downstairs with a lighted candle to open the door. At last--he was shaking her hand.

She had not changed much--a little less slender, not so eagerly alive, yet something had gone. He missed it, sitting opposite her, looking thoughtfully into her fine dark eyes. She asked him about the home town, about this and that, in a sober, somewhat meditative tone. He conversed with increasing ease, though with a growing wonder that he should be there at all. He could not take his eyes from her face. What had she lost? Or was the loss his? He felt an impersonal curiosity creeping into his gaze. The girl must have noticed, for her cheek darkened in a blush.

Gently--was it experimentally?--he pressed her hand at parting; but his own felt undisturbed and emotionless. Did she still care? The answer to the question hardly interested him.

The young moon had set, and from the uninviting cot he could see one half of a star-studded sky.

So that was all over.

Why had he obstinately clung to that dream?

So all these years--since when?--he had been seeing the light of dead stars, long extinguished, yet seemingly still in their appointed places in the heavens.

An immense sadness as of loss invaded his spirit, a vast homesickness for some immutable refuge of the heart far away where faded gardens bloom again, and where live on in unchanging freshness, the dear, dead loves of vanished youth.

BIG SISTERby Consorcio Borje

"YOU can use this," said Inciang, smiling brightly and trying to keep her tears back. "It is still quite strong, and you will not outgrow if for a year yet."

Itong watched his sister fold his old khaki shirt carefully and pack it into the rattan tampipi, which already bulged with his clothes. He stood helplessly by, shifting his weight from one bare foot to the other, looking down at his big sister, who had always done everything for him.

"There, that's done," said Inciang, pressing down the lid. "Give me that rope. I'll truss it up for you. And be careful with it, Itong? Your Tia Orin has been very kind to lend it to us for your trip to Vigan."

Itong assented and obediently handed his sister the rope. His eyes followed her deft movements with visible impatience; his friends were waiting outside to play with him. He was twelve years old, and growing fast.

Sometimes when Inciang toiling in the kitchen, sweeping the house, or washing clothes by the well in the front yard held a long session with herself, she admitted she did not want Itong to grow. She wanted to keep him the boy that he was, always. Inciang had raised Itong from the whimpering, little, red lump of flesh that he was when their mother died soon after giving birth to him. She had been as a mother to him as long as she could remember.

"May I go out now and play, Manang?"

And Inciang heard herself saying, "It will be a year before you will see your friends again… Go now."

She listened to the sound of his footsteps down the bamboo ladder, across the bare earthen front yard. Then she heard him whistle. There were answering whistles, running feet.

"TELL him, Inciang," her father had said. That was about three months ago. Inciang was washing clothes by the well with Tia Orin.

"Yes, you tell him, Inciang," said Tia Orin. It was always Inciang who had dealt with Itong if anything of importance happened.

Inciang rose to her feet. She had been squatting long over her washtub and pains shot up her spine.

"Hoy, Itong," called Inciang. Itong was out in the street playing with Nena, Lacay Illo's daughter. "Hoy, Itong," called Inciang. "Come here. I have something to tell you."

Itong gave a playful push at Nena before he came running. He smiled as he stepped over the low bamboo barrier at the gate which kept the neighbors' pigs out. How bright his face was! Inciang's heart skipped a beat.

"You have something to tell me, Manang?"

Inciang brushed her sudsy hands against her soiled skirt. "Yes. It is about your going to Vigan."

Itong sat down suddenly on the barrier.

"Your are going to high school, after all, Itong," Inciang said. She said it defiantly, as if afraid that Itong would like going away. She looked up at her father, as if to ask him to confirm her words. Father sat leaning out of the low front window, smoking his pipe.

Itong looked at her foolishly. Inciang's heart felt heavy within her, but she said, with a little reproach, "Why, Itong, aren't you glad? We thought you wanted to go to high school."

Itong began to cry. He sat there in front of his father and his sister and his aunt Orin, and tears crept down his cheeks.

"The supervising principal teacher, Mr. Cablana," went on Inciang in a rush, "came this afternoon and told us you may go to high school without paying the fees, because you are the balibictorian."

Itong nodded.

"Now, don't cry," said his aunt Orin. "You are no longer a baby."

"Yes," added the father. "And Mr. Cablana also promised to give his laundry to Inciang, so you'll have money for your books. Mr. Cablana is also sure to get the Castila's laundry for Inciang, and that will do for your food, besides the rice that we shall be sending you. Stop crying."

"Your Tata Cilin's house is in Nagpartian, very near the high school. You will stay with him. And," Inciang said, "I don't have to accompany you to Vigan, Itong. You'll ride in the passenger bus where your cousin Pedro is the conductor. Your cousin Pedro will show you where your Tata Cilin lives. Your cousin Merto, son of your uncle Cilin, will help you register in school. He is studying in the same school. Will you stop crying?"

Itong looked at Inciang, and the tears continued creeping down his cheeks. Itong was so young. Inciang began to scold him. "Is that the way you should act? Why, you're old now!"

Then Itong ran into the house and remained inside. His father laughed heartily as he pulled at his pipe. Inciang started to laugh also, but her tears began to fall fast also, and she bent her head over her washtub and she began scrubbing industriously, while she laughed and laughed. Outside the gate, standing with her face pressed against the fence, was Nena, watching the tableau with a great wonder in her eyes.

Inciang had watched Itong grow up from a new-born baby. She was six years old when she carried him around, straddled over her hip. She kept house, did the family wash, encouraged Itong to go through primary, then intermediate school, when he showed rebellion against school authority. When he was in the second grade and could speak more English words than Inciang, her father began to laugh at her; also her Tia Orin and her brood had laughed at her.

"Schooling would never do me any good," Inciang had said lightly.

She watched Itong go through school, ministering to his needs lovingly, doing more perhaps for him than was good for him. Once she helped him fight a gang of rowdies from the other end of the town. Or better, she fought the gang for him using the big rice ladle she was using in the kitchen at the time.

And her father had never married again, being always faithful to the memory of Inciang's mother. The farm which he tilled produced enough rice and vegetables for the family's use, and such few centavos as Lacay Iban would now and then need for the cockpit he got out of Inciang's occasional sales of vegetables in the public market or of a few bundles of rice in thecamarin. Few were the times when they were hard pressed for money. One was the time when Inciang's mother died. Another was now that Itong was going to Vigan.

Inciang was working to send him away, when all she wanted was to keep him always at her side! She spent sleepless nights thinking of how Itong would fare in a strange town amidst strange people, even though theirparientes would be near him. It would not be the same. She cried again and again, it would not be the same.

WHEN she finished tying up the tampipi, she pushed it to one side of the main room of the house and went to the window. Itong was with a bunch of his friends under the acacia tree across the dirt road. They were sitting on the buttress roots of the tree, chin in hand, toes making figures in the dust. And, of course, Itong's closest friend, Nena, was there with them. Strange, Inciang thought, how Itong, even though already twelve years old, still played around with a girl.

And then, that afternoon, the departure. The passenger truck pausing at the gate. The tampipi of Itong being tossed up to the roof of the truck. The bag of rice. The crate of chickens. The young coconuts for Tata Cilin's children. Then Itong himself, in the pair of rubber shoes which he had worn at the graduation exercises and which since then had been kept in the family trunk. Itong being handed into the truck.

Lacay Iban, Tia Orin, and Inciang were all there shouting instructions. All the children in the neighborhood were there. Nena was there. It was quite a crowd come to watch Itong go away for a year! A year seemed forever to Inciang. Itong sat in the dim interior of the bus, timid and teary-eyed. Inciang glanced again and again at him, her heart heavy within her, and then as the bus was about to leave, there was such a pleading look in his eyes that Inciang had to go close to him, and he put his hand on hers.

"I'm afraid, Manang."

"Why should you be?" said Inciang loudly, trying to drown out her own fears. "This boy. Why, you're going to Vigan, where there are many things to see. I haven't been to Vigan, myself. You're a lucky boy."

"I don't want to leave you."

"I'll come to see you in Vigan." She had considered the idea and knew that she could not afford the trip.

"Manang," said Itong, "I have a bag of lipay seeds and marbles tied to the rafter over the shelf for the plates. See that no one takes it away, will you?"

"Yes."

"And, Manang, next time you make linubbian, don't forget to send Nena some, ah?"

Inciang nodded. "You like Nena very much?"

"Yes," coloring a little.

Itong had never concealed anything from her. He had been secretive with his father, with his aunt Orin, but never with her.

From Vigan, Itong wrote his sister only once a month so as to save on stamps and writing paper. His letters were full of expressions of warm endearment, and Inciang read them over and over again aloud to her father and to Tia Orin and her brood who came to listen, and when her eyes were dim with reading, Inciang stood on a chair and put the letters away in the space between a bamboo rafter and the cogon roof.

"My dear sister," Itong would write in moro-moro Ilocano, "and you, my father, and Tia Orin, I can never hope to repay my great debt to all of you." And then a narration of day-to-day events as they had happened to him.

And so a year passed. Inciang discussed Itong with her father every day. She wanted him to become a doctor, because doctors earned even one hundred pesos a month, and besides her father was complaining about pain in the small of his back. Lacay Iban, on the other hand, wanted Itong to become a lawyer, because lawyers were big shots and made big names and big money for themselves if they could have the courts acquit murderers, embezzlers, and other criminals despite all damning evidence of guilt, and people elected them to the National Assembly.

Itong's last letter said that classes were about to close. And then, one morning, when Inciang was washing the clothes of the supervising principal teacher, with a piece of cotton cloth thrown over her head and shoulders to shelter her from the hot sun, a passenger truck came to a stop beside the gate and a boy came out. He was wearing white short pants, a shirt, and a pair of leather slippers. It was Itong. But this stranger was taller by the width of a palm, and much narrower. Itong had grown so very fast, he had no time to fill in.

"Itong, are you here already?"

"It is vacation, Manang. Are you not glad to see me?"

They ran into each other's arms.

Father came in from the rice field later in the afternoon. "How is my lawyer?" he asked, and then he noticed Itong wore a handkerchief around his throat.

"I have a cold, Father," said Itong huskily.

"How long have you had it?"

"For several weeks now."

"Jesus, Maria, y Jose, Inciang, boil some ginger with a little sugar for your poor brother. This is bad. Are you sure your cold will not become tuberculosis?"

Itong drank the concoction, and it eased his sore throat a little. It seemed he would never get tired talking, though, telling Inciang and Lacay Iban about Vigan, about school, about the boys he met there, about his uncle Cilin and his cousin Merto and the other people at the house in Nagpartian.

He went out with his old cronies, but he had neglected his marbles. The marbles hung from the rafter over the shelf for the plates, gathering soot and dust and cobwebs. It was a reminder of Itong's earlier boyhood. And he did not go out with Nena any more. "Have you forgotten your friend, Nena, already?" Inciang asked him and he reddened. "Have you been giving her linubbian, Manang?" he asked. And when she said "Yes," he looked glad.

On those nights when he did not go out to play, he occupied himself with writing letters in the red light of the kerosene lamp. He used the wooden trunk for a table. Inciang accustomed to go to sleep soon after the chickens had gone to roost under the house, would lie on the bed-mat on the floor, looking up at Itong's back bent studiously over the wooden trunk.

Once she asked, "What are you writing about, Itong?"

And Itong had replied, "Nothing, Manang."

One day she found a letter in one of the pockets of his shirt in the laundry pile. She did not mean to read it, but she saw enough to know that the letter came from Nena. She could guess what Itong then had been writing. He had been writing to Nena. Itong had changed. He had begun keeping secrets from Inciang. Inciang noted the development with a slight tightening of her throat.

Yes, Itong had grown up. His old clothes appeared two sizes too small for him now. Inciang had to sew him new clothes. And when Itong saw the peso bills and the silver coins that Inciang kept under her clothes in the trunk toward the purchase of a silk kerchief which she had long desired, especially since the constabulary corporal had been casting eyes at her when she went to market, he snuggled up to Inciang and begged her to buy him a drill suit.

"A drill terno! You are sure a drill terno is what you want?"

Itong patted his throat, as if to clear it. "Please Manang?"

"Oh, you little beggar, you're always asking for things." She tried to be severe. She was actually sorry to part with the money. She had been in love with that silk kerchief for years now.

"Promise me, then to take care of your throat. Your cold is a bad one."

Another summertime, when Itong came home from school, he was a young man. He had put on his white drill suit and a pink shirt and a pink tie to match, and Inciang could hardly believe her eyes. She was even quite abashed to go meet him at the gate.

"Why, is it you, Itong?"

He was taller than she. He kept looking down at her. "Manang, who else could I be? You look at me so strangely." His voice was deep and husky, and it had queer inflections. "But how do I look?"

Inciang embraced him tears again in her eyes, as tears had been in her eyes a year ago when Itong had come back after the first year of parting but Itong pulled away hastily, and he looked back self-consciously at the people in the truck which was then starting away.

"You have your cold still, so I hear," said Lacay Iban, as he came out of the house to join his children.

"Yes," said Itong, his words accented in the wrong places. "I have my cold still."

Looking at Itong, Inciang understood. And Itong, too, understood. Lacay Iban and Inciang looked at each other, and when Inciang saw the broad grin spreading over her father's face, she knew he understood, too. He should know!

"Inciang," said Father gravely. Inciang wrested her eyes from Nena whom she saw was looking at Itong shyly from behind the fence of her father's front yard. "Inciang, boil some ginger and vinegar for your poor brother. He has that bad cold still."

Inciang wept deep inside of her as she cooked rice in the kitchen a little later. She had seen Itong stay at the door and make signs to Nena. She resented his attentions to Nena. She resented his height, his pink shirt, his necktie.

But that night, as she lay awake on the floor, waiting for Itong to come home, she knew despite all the ache of her heart, that she could not keep Itong forever young, forever the boy whom she had brought up. That time would keep him growing for several years yet, and more distant to her. And then all the bitterness in her heart flowed out in tears.

In the morning, when Nena came to borrow one of the pestles. "We are three to pound rice, Manang Inciang; may we borrow one of your pestles?" Inciang could smile easily at Nena. She could feel a comradely spirit toward Nena growing within her. After all, she thought, as she gave Nena the pestle, she never had a sister, she would like to see how it was to have a sister. A good-looking one like Nena. Inciang smiled at Nena, and Nena blushing, smiled back at her.

THE DEVIL IN THE DETAILSby Carlos Cortés

©2002 by Copper Sturgeon

NEXT in line was a typical family: man and woman and a kid about two years old, and a baggage cart laden with their boxes and suitcases. The man handed over their tickets and passports. The flight was for Singapore, with many of the passengers having outbound connections: some to Jakarta, others to Cairns, still others to Auckland, Heathrow, or JFK. This family, two Germans and a Filipina, was bound for Frankfurt.

When I say they were Germans and a Filipina I am going by their passports, of course; in my line of work one speaks of these things in a technical manner, disregarding racial and ethnic considerations. The man happened to have the Aryan features associated with the typical German, such as blond hair and blue eyes. For me, however, all that mattered was that he had a German passport.

The boy was German, too, but if I hadn’t seen his passport I would have guessed him to be Filipino. His mother was cooing to him, in babytalk of course, but Cebuano babytalk, in which I detected a faint Boholano accent. The kid was repeating some of her words; he was taking to her language in much the same way he took after her. He had only the slightest hint of the mestizo alemán about him. To be sure, his complexion was rather light and his hair was brownish. But he did not look Nordic at all. He could have been a son of mine: he looked Visayan enough. The only thing German about him was a piece of paper. However, I was trained to give due credit to such pieces of paper.

The kid’s passport was literally a piece of paper. It wasn’t the kind of German passport his father had, the booklet with a hard maroon cover that had the words Europäische Gemeinschaft, then below thatBundesrepublik Deutschland, then below the heraldic eagle the wordReisepass. That kind of passport was sometimes issued to children too, but not often; the German government offered a children’s version of its passport, and since the processing fee for the Kinderausweis, as it was called, was much lower, it was what German children almost always had. A single sheet of green paper folded and refolded upon itself so that one could unfold it into four pages, the Kinderausweis looked like afun passport; one could imagine it had been made in a gingerbread house, whereas the Reisepass could only have come from an office.

WE used the Departure Control System, DCS for short, a simple and good computer program. Accepting passengers for a flight was a breeze in DCS. For international flights, however, we had to input so many things the entries often became cumbersome. Care was essential. A single typo was all it took for the whole entry to be invalid, and then one would have to start all over again.

I would assign them good seats, one seat by the window for the kid, for both flights. I would tag their baggage for Frankfurt and waive the charge for excess weight of—I checked the readout on the weighing scale—seven kilos. But first things first. Were their documents in order?

The German was at the top of the name list. On my screen he was EFKEMANN/HEINZJUERGENMR and now I entered the supplementary information for him: PASDE6792035487.DOB09OCT67. The code PAS DE meant Passport Deutsch. The numerals were his passport number. DOB was date of birth, 10-09-67 on his Reisepass. The name on the passport, Efkemann, Heinz Jürgen, matched the name on the ticket, except for the spelling of Jürgen. No big deal. I knew the u with an umlaut was usually written as ue on tickets. I idly wondered if they could print out the umlaut on tickets issued in Germany. I could ask this guy, but in this line of work one did not ask too many irrelevant questions.

The kid was EFKEMANN/PETERMSTR and I put in the details from his Kinderausweis: PASDE2057644.DOB07AUG00. His color picture on the inside page showed him to be a beautiful baby, brownish hair topping a face more Visayan than Eurasian. It didn’t seem jarring to me, because brown hair appeared in my family too, about once a generation...we got it from a friar or two somewhere in the family tree; a recessive gene, but one that popped up now and then: my sister’s hair, jet black indoors, blazed with chestnut highlights in afternoon sunshine; my aunt had hair that was nearly auburn; my great-grandmother was supposed to have been a real blonde...my mind was wandering again. I wrenched it back to the present, to this little boy I was accepting for the flight, Master Peter Efkemann. I was glad to see they hadn’t given him one of those uniquely German names like Dietmar, Detlev, Heinrich, or Wolfgang. Peter was a very German name, but it was also very Anglo, very American, very Filipino: a good international name.

ONE had to anticipate how things would be at the destination, in this case Frankfurt. From the German point of view the two males, holders of German passports, would be natives coming home; no problems there. It was different for the woman. As a Philippine passport holder, she would be a visiting alien. Here I had to be careful. If Frankfurt found this one inadmissible, she would be deported and the airline would be fined five thousand Deutschmarks. They wouldn’t deduct that amount from my salary but an investigation would be launched, explanations would have to be submitted, and I would probably wind up getting a week’s suspension. A week’s pay for me wasn’t quite DM5000, but it was hefty enough.

For EFKEMANN/CHERILYNMS I typed in PASPHZZ395624. The passport had been issued in Cebu on February 20, 1998. Philippine passports were valid for five years, and hers would expire in 2003: good enough. As a general rule, anyone going to a foreign country had to have at least six months’ validity left in his passport.

After doing DOB24AUG75 I glanced at her to check if she was indeed 26 going on 27. She actually looked somewhat younger, but it had to be because she was a very lovely girl. I noticed the passport had been issued to Dayonot, Cherilyn Hawak, place of birth Talibon, Bohol. I turned to page 4 and sure enough the amendment was there: a change of name from Dayonot to Efkemann due to marriage to Efkemann, Heinz Jurgen, on 28 January 2000. The DFA official who signed the amendment hadn’t put the umlaut over the u in Jürgen, but I supposed he had merely copied the name from the marriage contract. If the wedding had been in Bohol there was little chance an umlaut would have appeared on that marriage certificate.

There would be a German visa inside that passport, I knew. I didn’t think it would be the one called the Aufenhaltsberechtigung, as I knew that kind of visa got issued only to foreigners who had been in Germany for some time. It was roughly the German equivalent of the American green card: it had no expiry date, and it doubled as a work permit. I had no idea how the word Aufenhaltsberechtigung translated, only that people who had that visa could speak German very well and knew their way around the country.

Perhaps her visa would be the Aufenhaltserlaubnis. This one had an expiration date, found in the space after gültig bis (“valid until”). In many cases, instead of a date there would be the word unbefristet. This meant something like “indefinite” and was what I most often saw on the visas of Filipinas married to Germans. This unbefristet was usually written on the visa in longhand, by someone with a Teutonic scrawl.

There were entry and exit stamps showing she had been to Hong Kong and Taipei but I barely glanced at those; they were irrelevant. She had an expired visa for Dubai with corresponding entry/exit stamps: she must have been an OFW not too long ago, but this too was none of my concern. When I found it, her German visa was the Schengen Staten type, which is valid for only a few months. All right, this probably meant she was going to Germany for the first time. Married three years and never yet been to her husband’s homeland? A question for the curious, but one I did not ask; it wasn’t politic to ask too many impertinent questions in this business.

Unlike the Aufenhalstserlaubnis, which was valid as soon as it was issued, the Schengen Staten visa did not become valid until a certain date, which might be a month or more from its date of issuance. The words to look for were gültig vom and gültig bis, “valid from” and “valid until.” On Cherilyn’s visa I saw a gültig für Schengener Staten, then below that a vom 04-05-02, which was tomorrow’s date, and abis 07-07-02, which was months away in the future, as the expiration date should be.

So now the entry for EFKEMANN/CHERILYNMS was PASPHBB335622.DOB08 JAN 75.VISD13581677. The visa number belonged more or less to the same series I had seen on other Schengen Staten visas. Everything about this visa looked and felt authentic, down to the imprinted curlicues and the holograph.

Efkemann had waited in silence as I pounded the computer keys but now, from the amount of time I had spent scrutinizing the visa, he must have thought I looked unsure of the German words in it.

“Issued yesterday,” he said, “by ze Cherman Embassy in Manila.”

“Sus, kapoya gyud uy,” said Cherilyn. “We flew back from Manila last night, and now we are flying off again. Give us seats near the front, won’t you? I get seasick when I sit at the back, and Singapore to Frankfurt is such a long flight.”

“Ja, ja,” said Efkemann, “give us seats by ze emerchency exit. I haf fery long legs.”

Today was April 4; by the time their connecting flight landed in Frankfurt it would be early in the morning of April 5, the first day Cherilyn’s visa was valid. That was all right, then. I couldn’t assign them to seats in any of the exit rows, as they had a child with them. Safety regulations required that only able-bodied adults be put in those rows. Nor could I put them in front, as all the seats there were taken. I would have to explain these things tactfully and put them where I could.

An itch in my groin bothered me. I pushed the irritation away from the forefront of my consciousness and concentrated on the task at hand. Had I missed anything? Was there something not quite right? I was glad Cherilyn was a very poised young lady. I had been nonchalant, and so had she. I had never seen her before. She had never seen me before. I was just the guy at the counter and she was just another passenger...

They were all passengers: veteran travellers, first timers, it was always passengers and more passengers. Every day I sat there and took on long lines of passengers: rich tourists, backpackers, businessmen, contract workers, domestic helpers, emigrants, nuns, monks, refugees, laissez-passiers, diplomats, envoys, mercenaries; Sikhs, Arabs, Orthodox Jews, Amish, Hottentots, Lapps, Australian aborigines; Koreans, Czechs, Rwandans, Turks, Brazilians, Swedes, Zambians, Greeks...I had seen them all, I would see many more of them tomorrow, it was all one long line, stretching on across the years I had spent in this job, an endless line that snaked around the globe, passengers joining the line in Timbuktu and Xanadu and Cuzco and Urumqi and inching forward until one day they reached me at the counter...

THE difference between the American and the European styles of writing dates all in numbers was what had been bothering me. Only now did I remember that a date written as 01-02-03 would mean January 2, 2003 to an American, but would be read as 01 February 2003 by a European. I for that matter would tend to read it as January 2, as I had learned this shortcut for writing dates in elementary school, and it was the American system that had been taught to us.

I looked at the visa again. Of course, why hadn’t I seen it before? The gültig für Schengener Staten vom 04-05-02 did not mean April 5; it meant 04 May. I had been blind. I had wanted to see a visa that would become valid only a few hours before its holder entered German airspace. I had trusted Efkemann: like any methodical German, he would have made sure everything was in order. If their flight would bring them to Frankfurt on April 5, his wife’s visa would be valid on April 5. Unthinkable for it not to be.

Yet there it was, staring me right in the face, gültig vom 04-05-02, and it seemed the height of silliness to point it out, but this visa was definitely not in order. No doubt about it. The German immigration officer who would be looking at this visa in Frankfurt would interpret 04-05-02 as 04 Mai and inform Herr Efkemann that Frau Efkemann’s visa was not valid, would not be valid for another month, and very sorry about this, mein Herr, but we are only doing our duty. We must deport her.

My finger was about to hit ENTER but now I desisted. I would have to break the information to them as succinctly as I could. You just did not pussyfoot around a German. You had to come right to the point.

“Very sorry, Herr Efkemann,” I said, “but this visa is not yet valid. It will be valid on May fourth, a month from now.”

I showed it to him.

He did not say anything. He took the passport and peered at the visa. Then, handing the passport to Cherilyn, he stepped off to the side and whipped out a cell phone. Soon he was talking in rapid German.

“It’s a mistake!” Cherilyn said. “We told the people at the Embassy we had a booking for April 4, we would arrive in Germany on April 5!Susmariosep, I’m sure somebody inverted those numbers!”

Germans, I reflected, obeyed traffic lights and all kinds of signs. That one there had seen a sign that said gültig vom 04-05-02, and it never occurred to him that it should not be obeyed. Filipinos on the other hand always looked for exemptions, for a way out. This one in front of me was trying to put it all down to some clerical error.

I went to apprise my supervisor of the situation. When he came out with me, Efkmann was still talking on his phone. We waited for him to finish.

“Gott in Himmel,” he muttered as he put the phone back into his pocket.

“Mr. Efkemann?” my supervisor began, “Very sorry, but we cannot check in Mrs. Efkemann all the way to Frankfurt. We could check her in, but up to Singapore only. Do you still want to take the flight? Maybe it would be better if you rebook for May 3 or 4.”

He was outlining the options. None of those scenarios had been in this family’s mind a few minutes ago. But the German, I could see, was adjusting his thinking to the changed situation as quickly as anyone could.

“It’s those Filipina office workers at the German Embassy,” Cherilyn said. “They must have mixed up the date. We told them we were leaving April 4, nicht wahr, mein schatz?”

I didn’t know about that. I had a couple of friends who had been to Germany; if I understood it right, there was a space in the visa application form where one filled in one’s desired date of entry in DD/MM/YR form. In most cases the Embassy, if it could, simply gave you what you wanted. Was that the most likely explanation, then? That Cherilyn herself had mixed up the date? She had gone to school in Bohol: she must have learned to write dates in number format the American way. The confounded date was a dumb mistake, but quite natural in this context. I might have made the same mistake myself, and the chances were I wouldn’t have noticed it until it was too late to do anything about it.

What Cherilyn did not fully appreciate was that Germans would follow the letter of the law in things like this. It would be of no moment that some silly mistake had been made; what had been written was written and that was that. She seemed to be holding on to the hope that a spoken word from some German Embassy official would make everything all right and they could then get on the flight and reach Frankfurt to find the mistake smoothed over. She looked at her husband expectantly.

“Ach, to make in ze visa a refision ve must haf to go to ze Cherman Embassy in Manila, ja? No, I zink ve must rebook.”

“Very well, Mr. Efkemann,” said my supervisor, “would you come inside the office please? We will rebook your tickets now.”

CHERILYN remained in front of me at the counter, her little boy in her arms; most of the booked passengers had checked in by now and gone on to the Immigration counters.

“That’s probably what happened,” I said. “Some Filipino wrote April 4 the Filipino way.”

“God, how dumb. And it turns out to be May 4 to the Germans.”

“Yeah, all of them in Europe write it that way.”

“Oh, I guess we were dummies, too. We looked at the visa when we got it yesterday, but we never saw that. Jürgen should have seen it. I don’t know why he didn’t. But we were in a hurry. We had to catch the flight back to Cebu.”

“Things like that, everything looks okay...until you read the fine print.”

“Bitaw, ma-o gyud! It’s the fine print that gets you every time. The devil is in the details.”

“Handsome boy you’ve got there. Takes after the father, doesn’t he?”

“Hoy, abi nimo, when he came out I was relieved to see he had light hair. Up until that moment I was afraid he might take after you.”

“Well, he didn’t, did he?”

“He’s got your eyes.”

“Yeah, I can see that.”

“But it’s his hair that clinches it. Your hair’s black. His is brown.”

“Right. I guess that’s the clincher all right.”

“No doubt about it.”

There was no point in mentioning that brown hair popped up in my family every now and then. That would be the height of silliness. In this business, one did not say too many unnecessary things. 

THE DOLLby Egmidio Enriquez

HE was christened Narciso and his mother called him Sising. But when be took a fancy to his mother’s old rag dolls which she preserved with moth balls for the little girls she had expected to have, his father decided to call him Boy. His father was excessively masculine, from the low broad forehead and the thick bushy brows to the wide cleft chest and the ridged abdomen beneath it; and the impotence of his left leg which rheumatic attacks had rendered almost useless only goaded him to assert his maleness by an extravagant display of superiority.

“We’ll call him Boy. He is my son. A male. The offspring of a male.” Don Endong told his wife in a tone as crowy as a rooster’s after pecking a hen. “A man is fashioned by heredity and environment. I’ve given him enough red for his blood, but a lot of good it will do him with the kind of environment you are giving him. That doll you gave him—”

“I didn’t give him that doll,” Doña Enchay explained hastily. “He happened upon it in my aparador when I was clearing it. He took pity on it and drew it out. He said it looked very unhappy because it was naked and lonely. He asked me to make a dress for it—”

“And you made one. You encouraged him to play with it,” he accused her.

Doña Enchay looked at her husband embarrassedly. “I had many cuttings, and I thought I’d make use of them,” she said brushing an imaginary wisp of hair from her forehead. It was still a smooth forehead, clean swept and unlined. It did not match the tired look of her eyes, nor the droop of her heavy mouth.

Don Endong saw the forehead and the gesture, took in the quiver of the delicate nostrils and the single dimple on her cheek. “You are such a child yourself, Enchay,” he told her. “You still want to play with dolls. That is why, I suppose, you refuse to have your son’s hair cut short. You’ll make a sissy out of him!” His eyes hardened, and a pulse ticked under his right ear. “No, I will not allow it,” he said struggling to his feet with his cane and shouting, “Boy! Boy! Boy!”

His wife leapt forward to assist him, but as he steadied himself on his cane she couldn’t touch him. Even in his infirmity she could not give him support. His eyes held her back, melted her strength away, reminded her she was only a woman—the weaker, the inferior, the dependent. She felt like a flame in the wind that had frantically reached out for something to burn and having found nothing to feed itself on, settled back upon its wick to burn itself out. She watched him struggle to the window.

When he had reached it and laid his cane on the sill, she moved close to him and passed an arm around his waist. “The curls will not harm him, Marido,” she said. “They are so pretty. They make him look like the little boys in the story books. Remember the page boys at the feet of queen? His hair does not make him a girl. He looks too much like you. That wide thin-lipped mouth and that stubborn chin, and that manly chest—why you yourself say he has a pecho de paloma.”

Don Endong’s mouth twitched at one corner, looking down at her, he passed an arm across her back and under an arm. His hand spread out on her body like a crab and taking a handful of her soft flesh kneaded it gently. “All right, mujer,” he said, “but not the doll!” And he raised his voice again. “Boy! Boy! Boy!”

The boy was getting the doll ready for bed in the wigwam of coconut fronds he had built in the yard below. The doll was long, slender, rag-bodied with a glossy head of porcelain. He had pulled off its frilly, ribbon trimmed dress, and was thrusting its head into a white cotton slip of a garment that his mother had made and was a little too tight. His father’s stentorian voice drew his brows together. At whom was his father shouting now? His father was always shouting and fuming. He filled the house with his presence, invalid though he was. How could his mother stand him?

“Boy! Boy! Boy!” came his father’s voice again.

Ripping the cotton piece from the head of the doll where the head was caught, he flung the little garment away, and picking up the doll walked hastily towards the house.

His father and mother met him at the head of the stairs. He looked at his father’s angry face and said without flinching: “Were you calling me, Father? My name is not Boy!”

“It is Boy from now on,” his father told him. “That will help you to remember that you are a boy. A boy, understand?”

His father looked ugly when he was mad, but he was not afraid of him. He never beat him. He only cursed and cursed. “I don’t understand, why?” he asked.

“Because little boys don’t play with dolls,” Don Endong thundered at him, “that’s why!” And snatching the doll from the boy, Don Endong flung it viciously to the floor.

Boy was not prepared for his father’s precipitate move. He was not prepared to save his doll. One moment it was cradled snugly in the crook of his arm. The next it was sprawled on the floor, naked, and broken, an arm twisted limp beneath it, another flung across its face. as if to hide the shame of its disaster. Suddenly it was as if he were the doll. There was a broken feeling within him. The blood crept up his face and pinched his ears. He couldn’t speak, he couldn’t move. He could only stare and stare until his mother taking him in her arms cradled his head between her breasts.

ONE day in May his mother came home from a meeting of the “Marias” at the parish rectory in a flurry of excitement. Our Lady of Fatima was coming to town. The image from Portugal was making a tour of the Catholic world and was due in town the following week. Doña Enchay had been unanimously elected chairman of the reception committee. ‘‘What shall I do? What shall I do?” she kept saying.

“To be sure, mujer, I don’t know,” Don Endong told her. “Ask the Lady herself. She’ll tell you. maybe.

“Endong! you mustn’t speak that way of Our Lady of Fatima.” she told him in as severe a tone as she dared. “She’s milagrosa. haven’t you heard how she appeared on the limb of a tree before three little children—”

“Oh, yes! Also the countless novenas you have said in my behalf.”

“Ah,. Endong, it is your lack of faith, I’m sure. If you would only believe! If you would at least keep your peace and allow Our Lady to help you in her own quiet way, maybe—” She sighed.

He couldn’t argue with her when she was suppliant. There was something about feminine weakness which he couldn’t fight. He kept his peace.

But not the boy.

It was like the circus coming to town and he had to know all about the strange Lady. He and his mother kept up an incessant jabber about miracles and angels and saints the whole week through. Boy easily caught his mother’s enthusiasm about the great welcome as he tagged along with her on her rounds every day requesting people living along the route the procession was to take from the air port to the cathedral to decorate their houses with some flags, or candles. or paper lanterns… She fondly suggested paper buntings strung on a line across the street. “Arcos” she called them.

“Don’t deceive yourself,” Don Endong told her. “You know they’re more like clothes-lines than anything else. Does the Lady launder?”

“Que Dos te perdone, Endong!” Doña Enchay exclaimed, crossing herself and looking like she was ready to cry.

Boy wondered why his father loved to taunt his mother about her religious enthusiasm. Sometimes he himself could not help but snicker over the jokes his father made. Like when Mr. Wilson’s ice plant siren blew the hour of twelve and the family was having lunch. His mother would bless herself and intone aloud: “Bendita sea la Hora en que Nuestra Señora del Pilar vino en carne mortal a Zaragoza,” and begin a Dios te Salve. His father would ostentatiously bend over the platter of steaming white rice in the center of the table and watch it intently until someone inquired, “What is it?” Then he would reply, “I want to see by how many grains the rice has increased in the platter.” If Boy had not seen his father’s picture as a little boy dressed in white with a large silk ribbon on one arm and a candle twined with tiny white flowers in one hand, he would think maybe, he was a protestante—like that woman his mother and he happened upon one day on their rounds.

The woman had met them on the stairs of her house and said to his mother: “The Lady of Fatima did you say, Ñora? You mean some woman like you and me, or your little girl here,” pointing at him, “with such pretty hair, who can talk, and walk. and laugh. and cry?” His mother retreated fanning herself frantically and flapping the cola of her black saya. “To be sure she can’t, but she stands as the symbol of one who can!” she explained with difficulty as though a fish bone was caught in her throat. He hated the woman for making his mother feel that way, and on the last rung of the steps vindictively spat her error at her: “I am not a girl. I’m a boy! A boy! You don’t know anything!”

When they arrived home he told his mother he wanted his hair cut short. “1 don’t want the Lady of Fatima to mistake me for a girl like the Protestant woman,” he told his mother.

“But Our Lady knows you are a boy. Her Son tells her. Her Son is all knowing.” But Boy threw himself on the floor and started to kick. “I want my hair cut! I want my hair cut!” he screamed and screamed.

THE Lady came on a day that threatened rain. The brows of the hills beyond the rice fields were furious with clouds. The sun cowered out of sight and the Venerable Peter dragged his cart across the heavens continuously drowning all kinds of human utterances—religious, profane, ribald, humorous, sarcastic-from the milling crowd gathered at the air port to see the Lady of Miracles arrive. There were the colegialas in their jumpers and cotton stockings, the Ateneo band and cadets in khaki and white mittens, the Caballeros de Colon with their paunches and their bald heads, the Hijas de Maria with their medals, the Apostolados with their scapulars, the Liga de Mujeres with their beads… there was no panguingue, nor landay, nor poker sessions anywhere in town; nor chapu, nor talang, nor tachi in the coconut groves, for even the bootblacks and the newsboys and the factory boys were there to see the great spectacle. Even Babu Sawang, the Moro woman who fried bananas for the school children. was there, for was not Our Lady of Fatima a Mora like herself, since Fatima was a Moro name?

But when the heavens broke open and rain came tearing down, the people scampered for shelter like chickens on the approach of a hawk. All but a few old women and the priests and the bishop and Doña Enchay and Boy hung on to the Lady on her flowered float intoning hymns and repeating aves.

The bishop laid a hand on Boy’s head and Boy immediately shot up into manhood. His chest filled out, his arms grew thick, and his strides stretched as long as the giant’s of the seven-league boots. He felt a thousand eyes leveled at him, and he gathered those eyes and wore them on his breast as a hero wears his medals in a parade. “You are a brave little boy,” the bishop told him. “Our Lady must be well pleased with you.

Boy took a look at the Lady. She was smiling brightly through tears of happiness. Her eyes spilled water of love, her lips dropped freshets of sweetness. And her checks—they were dew-filled calyxes of kindly care. Suddenly, he was seized with a great thirst. His lips felt cracked and his tongue cleaved to the roof of his mouth. An urgent longing to drink possessed him. He felt he should drink, drink. drink-of the Lady’s eyes, of the Lady’s lips, of the Lady’s cheeks…

AS he grew older his thirst intensified. He felt he should drink also from the cup of her breast, from the hollow of her hands, from the hem of her trailing white gown, from the ends of each strand of her long brown tresses. But when he approached his Lady at various shrines in the town chapel, whether she had a serpent at her feet, a child in her arms, or beads in her hands, his cracking lips climbed no higher than her pink and white toes and his thirst was quenched.

When he was nineteen and graduated from high school, he told his mother he wanted to take Our Lady for a bride. “Que dicha!” his mother said. “To wed the Mother of God. To be a priest and sing herglorias forever. Que dicha!”

But his father said: “A priest? Is that all you will amount to—a sissy, a maricon, a half-man? I’d rather you died. I’d rather I died!”

It was night, and late, when the household was making ready to turn in. The feeble light of a single electric bulb lit the veranda where Boy stood facing his father in his wicker chair; but the yellow light was flat on the boy’s face and Don Endong saw that it was a dead mask except for the eyes which held a pointed brilliance. The boy’s voice was as taut as the string of an instrument that is about to snap. “The priesthood is the noblest profession on earth. Father,” he said. “It is the most manly, too. One who is master of himself, who can leash the lust of his loins to the eye of the spirit. is indeed the man! A man is not measured by the length of his limbs and the breadth of his chest or the depth of his voice, but by the strength of his mind, the depth of his courage, the firmness of his will!”

“God gave you the body of a male to do the functions of a male—not to hide under a skirt!” Don Endong goaded him.

Boy gripped the back of a chair until the knuckles turned white. Sweat broke out on his forehead and a trembling seized his frame.

“Strike! Strike your father! Raise your hand against the man who was man enough to give you the figure of a man!”

“Boy! Boy!” His mother’s voice pierced through his clouding mind, unnerving him, leaving him strengthless. Suddenly, he couldn’t look his father in the face. His mother’s wail followed him as he fled into the night.

ON the little deserted and unlighted dock where the wind was carefree and all was still except for the muffled cry of a hadji in the distant Moro village and the mournful beat of an agong, Boy faced the night and the sea He flung his eyes to the stars above and gave his body up to the wind to soothe…

Fingers touched him lightly on the shoulder, a little nervously, like birds about to take flight at the least sign of danger. Fingers dipped into his sensitive flesh, and melted into the still pounding rivers of his blood. A strong. sweetly pungent scent invaded his nostrils, and his heart picked tip the beat of the distant agong.

“What do you want with me?” he asked the woman without turning around. He had not sensed her coming. She could have sprung like Venus from the foam of the sea—but there she was, and her perfume betrayed her calling.

Her hand dropped from his shoulder to the bulge of his biceps. “You are a large man. You are very strong. And you are lonely,” she said.

Her voice was cool as water from a jar and soft as cotton. And it had a sad tingle. He checked a rough rebuke. Who was he to condemn her for what she was? Had not Christ said to the men outside the city walls who were about to stone the adulterous woman, ‘‘Let him among you that is without sin cast the first stone”?’

He looked up into her face. Stars were beating in her eyes. And on her wet lips were slumbering many more. Her arms were long and white and slender like fragrant azucenas unfolding in the night…

“Yes, I am strong, and I’m lonely,” he said. “And I’m a man. A big man,” he added almost angrily, “am I not?”

“Oh, but of course,” she said. “I can see that. and I can feel that!”

And fragrant azucenas folded about him in the night.

HE opened his eyes in total darkness. He couldn’t see his hand before him, but the air was thick around him, and he had a feeling he was trapped in a narrow place. He flung an arm out and the body of a woman slithered under his arm. She turned toward him and her breath pushed into his face. He raised himself on his elbow for air. The woman stretched herself awake, and slowly a long clammy coil like the sinuous body of the serpent at the feet of Our Lady of the Immaculate Conception in her shrine in the town church began to close around his neck. His flesh crawled. With a quick movement he caught the coil in a strong grip, twisting it.

The hoarse cry of a woman lashed out and cracked the stillness of the night. A mouth found his shoulder and sharp vicious teeth sank into his flesh. The stinging pain sent a shiver through the length of his long frame. but he hung on to the squirming limb, squeezing and twisting it… until the clamor of angry voices, and a splintering crash, and a sudden flood of light burst upon him…

Lying at his feet before him was a woman, naked and broken. But a short while before, under the sheet of night, she was cradled in his arms, receiving the reverence of his kisses. Now, under the eye of light, she was but a limp mass of woman flesh, sprawled grotesquely on the floor, an upper limb twisted behind her another flung across her face as if to hide the shame of her disaster.

Two men grabbed him and dragged him out into the street. Angry cries and curses followed him. But as he felt the clean air of morning sweep against his face, his chest filled out, his arms grew thick, and his sturdy legs stretched long like the giant’s of the seven-league boots. 

MEETINGby Consorcio Borje

THE little church stood in the shadow of acacia trees. A narrow gravel path lined with cucharita hedges led from the street into its cool, quiet yard with the moss on the dim boles of the trees and the dew on the grasses. The roar of the dusty, blindingly white city surged and broke like a sea along the concrete pavements that skirted the churchyard, but went no farther.

At the whitewashed wooden gate, the young man stood diffidently. Nervously fingering his battered felt hat, he pushed in the gate, stepped inside, allowed it to swing back, and then slowly walked down the path.

The chilly dampness of the place rested like a cool hand upon his fevered brow, and he expelled a breath of relief. He walked as slowly as he could, savoring through all the pores of his lean young frame the balm of this sudden reprieve from the heat and brutal impersonality of the big city.

Three concrete steps led up into the vestibule. At the top step he saw the congregation inside the heavy hardwood doors, and hesitated.

"I beseech you therefore, brethren, by the mercies of God, that ye present your bodies a living sacrifice, holy, acceptable unto God, which is your reasonable service.

"And be not conformed to this world: but be ye transformed by the renewing of your mind, that ye may prove what is that , and acceptable, and perfect, will of God."

The voice was long and sonorous, and it struck a responsive chord in the young man's heart, but he could not see the speaker. The last pew hid the altar from him. Over the pew he could see the fluted row of organ pipes, the massive rivet-studded rafters, light that streamed down at a deep angle from a tall window of colored glass.

"For I say, through the grace given unto me, to every man that is among you, not to think of himself more highly than he ought to think; but to think soberly, according as God hath dealt to every man the measure of faith."

For perhaps an hour the young man stood at the door, feeling deeply unhappy, frightened, and lost. He dared not enter. He looked down at his torn, dusty shoes, his stained clothes, felt the growth of beard on his chin, and already he could feel the cold eyes of the people in the church examining him. He retired quietly to one side of the vestibule, where he could not be seen from the inside, and leaned against the wall to rest his trembling limbs.

And then the people began streaming out, and he felt relieved that they did not even glance his way. After a while, he looked into the door. There was no one in. He crossed himself quickly and entered.

For a long time he sat there staring dully at the sounding emptiness before him, for breaking against the wall still was the reverberation of bells tolled a long time ago.

Through all this he could hear his heart beating in a weak slow measure, and again the beatific sense of completeness and of being filled his soul like mellow wine. The seat was deep and restful. The wood was firm and cool. He sank back and fell asleep.

When he woke up, he saw that his hat had fallen to the floor. The five-centavo pancit mami that he had eaten last night had already evaporated, and he felt a shot of pain in his middle as he stooped down to recover his hat. After the pain, a weakness and trembling seized his limbs, and cold sweat beaded his forehead. The church swam before his eyes.

Sunlight streamed through the west windows. From its angle he knew it must be late in the afternoon. He had been asleep in the church for the greater part of the day, and now he felt again vaguely forsaken, and the chill and the solitude were no longer very soothing but were almost terrifying.

Rocking from one foot to the other, he got up hastily and made for the door, and it was then that he saw the girl standing at his back.

"I've been watching you," she said, smiling gently, and her hair looked like a halo for the sunlight crowned it with gold. "You've been asleep," she continued.

"I'm sorry," he began weakly. "I didn't mean to--"

"Yes? But let's take a seat, please."

He licked his dry lips. "I didn't mean to sleep here. I just fell asleep, that's all."

"There's no harm in that, I'm sure," she said reassuringly taking her seat beside him and pulling him down. "You're a stranger here?"

"I came to the city about a week ago."

"Staying with relatives?" Her voice was direct and cool.

"No relatives, ma'am. I thought I could get a job here. I had heard so much about opportunities here, and I wanted to work myself through college…"

She listened quietly. The quick responsive look in her eyes brought his confidence back and made him give details about his life and his recent misadventures he would not have revealed otherwise.

"We are from the same province as you," she said. "My father works in the city hall. He got transferred here because my mother wants to see us through school. Come home with me, ha? We want you to tell us about the province. It was five years ago when we were there last. Yes, they will like to see you. Don't be ashamed. You can't blame people for not knowing any one in the city."

She was only sixteen, or thereabouts, he could see in the calesa which they took; she was dressed in white, simply and cleanly, almost to the point of the anaesthetic severity of the nurse, but there was a subtle perfume about her like that of rosal and then again like that of sampaguita, and the lines of her face were clean and young and sweet.

"Why, I'd be ashamed--" he began again, looking at himself with horror.

"No more of that, ha?" She flashed a smile at him, her lips a light rose like her cheeks, her eyes crinkling at the corners.

The horses' hoofs beat a tattoo on the street cobbles, round this corner, round that corner, ancient Spanish houses under acacia trees, rows of tenements, sounding walls of old Intramuros, a tangle of horse-drawn and motor traffic.

Everything went suddenly white at once.

The first thing that he knew was the mildly pungent smell of rubbing alcohol and liniment. The place he was in was dark, except for a street light that came in through the billowing curtain in the window. He was in a bed, a deep wide bed, with mattress and cool covers fragrant with soap and starch and ironing. From beyond the darkness to one side came to him the faint sound of voices and the tinkle of a piano.

He jerked up with a great consciousness of guilt, but he sank back again, dizziness swamping him back and overpowering him. Lying back there, accusing himself of imposing on a stranger's hospitality, he began to cry, but he wiped away his tears quickly when he saw the door slowly open and a head showed in the opening.

"Oh, you're awake now."

It was the girl, and she ran softly in. He felt greatly disturbed within. She was looking down now and her hand was upon his brow and he could feel the warmth of her and get the smell of her.

"Good!" she exclaimed and ran lightly out, closing the door behind her. In a minute, she was back with two other persons. A switch clicked and the room sprang into light, and he could see there was an elderly woman whom she resembled closely, and an elderly man in pajamas.

"Well!" said the man heartily. He had a pipe gripped by the bowl in one of his hands. "So this is the cababayan. Well!"

The woman came over and laid her hand on his forehead. A wedding ring shone on one finger. He looked up into her eyes, and all at once he knew he need not be afraid…

The girl's parents, it later developed, were among the more influential of the parishioners, and he was able to get a job through them as church janitor, with bed and board provided free in the servants' quarters of the rectory. Besides sprucing up the church, he had charge of the lawn which he mowed and the hedges which he trimmed. Out of his pay of twenty pesos a month he managed to send home ten pesos to his mother in the month's-end mail.

"Good morning," he would say humbly to the girl, Lita, when Sundays came and she was in the church. Then he would hurry before her to dust the pew she always took with her parents.

"How do you do?" Lita would ask, and sometimes she would say, "Pedro, you must come and get your Sunday dinner with us. You don't do it so regularly, now."

From the back of the congregation, dressed in his best white-cotton suit, his eighty-centavo necktie, his tan-and-white Gandara shoes, he would listen raptly to her sing in the choir. He could always tell her voice, and he could always see her lovely radiant face magnified among the rows of others.

Three afternoons a week, a calesa would halt at the church gate, and Lita would alight in her plain white dress. She would come down the cucharita-lined path, and she would enter the church where for an hour she would sit or kneel, just looking at the altar, and her lips would move silently. Then would Pedro hush his steps, and he would put aside his lawnmower and his shears and look at Lita longingly through the window, at her profile outlined against the lighted side of the church.

On her seventeenth birthday, Lita gave Pedro a picture. It showed her with eyelashes swept up and lips half-parted in a smile. A stray lock fell against one cheek. One dainty end of a lace bow curled against the straight line of her throat, while the other reclined against the swell of her bosom.

"I can keep this?" asked Pedro wonderingly, and Lita said with a thrill of laughter. "Why yes, it's yours. Why do you have to ask?"

He had enrolled in a night collegiate course prepared especially for working students, but out of the money for school fees and books he managed to save as much as fifty centavos at a time. He spent his savings for a neat little picture frame, painted black and silver, and put Lita's picture before him as he pored over his textbooks at home.

"How are you getting along in school?" said Lita one afternoon, after she came out of the church.

"At least I passed in all my subjects last semester."

"That's fine. I'm sure you'll make an engineer yet." She hesitated at the gate, and turned back to him slowly. "Don't let anything distract you from your work," she said. "put your mind on it and keep it there."

He thought, she looks very young, but too deadly serious. That frown on her face. That mature cast of her mouth. But he only said, "Thank you, Miss Miel."

"Miss, still?" She laughed again, and the world was shining once more, no longer full of problems and dark and weighty hues, but full of the silvery ringing of bells and the light patter of dancing feet.

"I think I can help you," she went on. "About trigonometry now. It's my favorite subject."

"I cannot understand the cosine of--"

"You mean Thomas' theory? It's easy. Like this." And thereupon she knelt on the path and with a twig traced figures in the light fluff.

"You should make a good engineer, there are such things as women engineers, you know," he ventured.

"My father said I should," Lita confided. "But my greatest interest does not lie in that way, Pedro. It lies somewhere else. Should I tell you?" She crinkled her nose at him, but again she was suddenly grave. After a pause: "I've never wanted to grow up," she suddenly shot at him and hurriedly picked herself up, ran out of the gate, hailed a calesa and drove away.

Pedro's perplexity was solved the following afternoon when Lita came again to the church to pray. It was Saturday afternoon and Pedro was dusting. This time she had on a black veil that fell to the tip of her nose. She was a tiny figure kneeling at the far end of the church. Her head was bowed low, but he thought he could see her lips moving. He moved about on tiptoe, used his mop gently.

He was on the floor reaching under a remote corner when he heard her light "H'lo" behind him. He rose up hastily and nodded his greeting, "Good afternoon, Miss Miel."

"Good afternoon, Mister Deño."

"Er, Lita"

"That's better. Did I startle you yesterday afternoon?"

"You did."

Then Lita was telling him she was going to be a nun.

"But why?" asked Pedro incredulously.

"Does it sound foolish to you?" Her lashes swept down on her cheek, and for the first time he noticed that she had the pallid look as of one in cloistered, moss-grown nunneries.

"I don't know," he said, "I don't know." And then he went on, feeling foolish, "But you can't want to give up all this for life imprisonment."

"It is not life imprisonment," she said gravely, "but the essence of what I've always wanted. All my life I've wanted complete communion with God."

He shook his head to clear it of the cobweb of pain and dizziness, and her hand crept to his. The touch of it sent an electric shock through his whole frame.

"Even as a child," she went on, "I had always wanted to have a room that looked much like a church, with a hard, bare floor, and hard, bare seats, and an altar, and an image of Mother and Child."

She was looking down kindly at him, red spots in her white cheeks. "Now, as I live from day to day, it seems as if I'm being swept farther and farther away from that childhood dream. I want my childhood back. I hunger for its simplicity and its faith. It seems as if deep inside me I'm parched and thirsty, and I need the coolness and dampness of seclusion. You understand, don't you?"

Again it seemed as if the church rustled with the prayer and devoutness of a congregation, and there was again, that sonorous voice saying, "I beseech you therefore, brethren, by the mercies of God, that ye present your bodies a living sacrifice, holy, acceptable unto God."

"Good-bye," said Lita, her long, white, shapely fingers tightening on his rough, dark ones.

"I'll not see you again?"

She shook her head slowly. Suddenly she bent down and kissed him on the cheek, and as suddenly she ran down the aisle and out of the door.

As he sat in a pew, the bells were silent, but still they seemed to be tolling from far away, the air vibrating with their ringing. He sat in the pew and stared dully in front of him. Light streamed in from an eastern window. The ghostly congregation still rustled with its faith and sacrifice. On his cheek her lips were still warm.

But suppose, he thought, it had been some other way. Suppose:

"I'VE been watching you," she said, smiling gently, and her hair looked like a halo with the sunlight crowning it with gold. "You've been asleep," she continued.

"I'm sorry," he began weakly. "I didn't mean to--"

And then they were walking down to the whitewashed gate, and he was vaguely surprised that there was no calesa waiting there. But he went on to cross the street nevertheless, keeping in his eyes the slim, white figure, with the clean, young lines of face.

Outside the churchyard, the traffic was heavy as usual, and the lorry drivers swore mightily at the broken-down old man, with that vague half-smile on his face, who was crossing the street and breaking all rules of pedestrian traffic and all the laws of self-preservation.

"That engineer, Pedro Deño, you know," said one of a couple driving a car near the scene. "Dirty rich, but damned absent-minded, too."

"That's the matter with these successful people," said the other. "They put their mind on a thing and keep it there, to the exclusion of all others, even motor traffic."

"Yeh, Deño, for instance. Must be thinking of house plans and bridges."